Atelier Vago is a studio without thresholds, without precise coordinates. It has no fixed walls, no stable hours.

It is a duo—two female presences tracing spaces as they move through them, brushing against the edges between inside and outside.

For Atelier Vago, the workspace is never just one place, but many: an improvised table in a childhood home or a university classroom, an tripod resting on the floor, the carriage of a train. At times it is a shared screen across distance, at others a collective place that welcomes them when the need for a common perimeter arises.

Vago is not only the duo’s name, but also their way of inhabiting the workspace: unstable, wandering, uncertain.
The absence of a fixed location—born more of necessity than choice—has revealed itself not as a lack, but as a form. A vision that lets itself be crossed, that remains permeable, that embraces the undefined.

For Atelier Vago, the studio is not a container but an extension of thought. And thought prefers places that resist definition. It is a space measured not in square meters, but in intensity, in visions shared. The studio is an elsewhere, a journey through real and symbolic spaces, between culture and daily life.

Within this wandering condition, a unique place emerges: a silent balance shaped precisely out of apparent disorder, like an invisible weave holding everything together.
For Vago, instability does not scatter but grounds. It is within this flexible and open state that projects, too, find their balance—nourished by creativity and the habit of continually reinventing both space and thought.